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With about a decade of experience in the digital media arts industry, my expertise encompasses sound design, digital music composition, musical performance, and audio engineering. Leveraging a unique blend of technical acumen and creative direction, I've contributed to award-winning projects and immersive experiences. My work has been presented at platforms such as the Atlanta Contemporary, the New Museum, the Tate Modern, and the International Sound Biennale. My voice has featured in print publications such as Art in America, The Fader, and The New York Times. I am presently developing my portfolio of experimental immersive fiction work.

Those who see potential for gainful or generative connections here, I welcome your e-mails! I am open to accept new consulting positions, freelance projects, part-time roles, or full-time roles for the time being.

I am especially interested in working from within various intersections between interactive media technology, sound, mathematics, and artistic production-- just try me. My performance background spans both classical and noise genres, broadly speaking. Please understand that while I'm self-driven and serious about craft, I love and value the utilities of fun and teamwork. I am a voracious learner and am pretty quick on my feet when given the space to be. Allow me to go dumb on your podcast, whether in front of a microphone or behind an interface.

My primary audio workstation is Ableton Live Suite (including MAX/MSP), though I can certainly "skip around" and "mix it up" with Reaper, Wwings, and ProTools. I am competent with Python and JAVA-based programming languages, and routinely use the former's libraries in my audio production workflow. I prize novelty as much as I prize executive excellence.